Montana Flute Association
  • Home
  • About
    • Board Members
  • Membership
    • Meeting Minutes
    • Membership Fee Store
    • Montana Flute Teachers
  • Events
    • Saturday Coffee Series 2021
    • Past Guest Artists
  • 2022 Montana Flute Festival
    • 2022 Flute Festival Registration
    • 2022 Guest Artists
    • 2022 Masterclass Performance Application
    • 2022 Montana Flute Festival Participant's Concert Form
  • Competition
    • Past Competition Winners
  • Media
    • Saturday Coffee Hour Workshop Recordings
    • Dance of the Reed Flutes Virtual Project 2020
  • Support
  • Links
  • Competition

2022 Montana Flute Festival Guest Artists

Bonita Boyd

Picture
Born in Pittsburgh, Bonita Boyd grew up in Long Beach, California. Her early teachers included Maurice Sharp of the Cleveland Orchestra, Roger Stevens of the Los Angeles Philharmonic, and Joseph Mariano, principal flutist of the Rochester Philharmonic and legendary pedagogue of the Eastman School of Music.  Boyd succeeded Mariano in both posts, becoming the youngest person in the United States to hold major academic and orchestral appointments, as noted by Glamour Magazine when Bonita was featured in its “Outstanding Career Women of the Year” article.

At age 21, Bonita was named Principal Flutist of the Rochester Philharmonic under Maestro David Zinman, a position she resigned in 1984 to devote herself to her growing solo career.  Boyd gave an acclaimed New York debut recital 1980, which was described by the New York Times as “a flabbergasting account of her talents.”  Three years later she made her Los Angeles debut of which Albert Goldberg of the Los Angeles Times said, “James Galway and Jean-Pierre Rampal are now joined in the forward ranks by a young American girl named Bonita Boyd”.   Subsequently she made her first solo tours of Europe and the Far East, during which the Frankfurter Allgemeine hailed her as “a musician of great dimension”.  She has since performed as recitalist throughout the world and as soloist with such orchestras as the National Gallery Orchestra, National Symphony of the Dominican Republic, Chautauqua Symphony, Concerto Soloists of Philadelphia, Denver Chamber Orchestra, Buffalo Philharmonic, Pusan (Korea) Symphony Orchestra, Western Australia Symphony, Queensland Symphony, Polish Radio Orchestra, and Vilnius (Lithuania) Chamber Orchestra, Rochester Philharmonic, California Chamber Symphony, New Jersey Symphony, and Albuquerque Symphony, and Victoria Symphony (CBC).  She served as Principal Flutist of the Rochester Philharmonic Orchestra (1971-1984), Chautauqua Symphony (1971-1977), Filarmonica de las Americas (Mexico City), and the Aspen Festival Symphony Orchestra (1998-2015). She has been a member of the artist faculties of such festivals asChautauqua, Bowdoin, Johannesen International Festival, Hamamatsu Seminar (Japan), Aspen Music Festival, and guest artist at Eastern Music Festival, MasterWorks, Marlboro, National Orchestral Institute, and Teton Festival.  She has been a Fulbright Grant recipient, and has been President of the National Flute Association, a 5000-member international organization of flutists from around the world.  She has been an artist-faculty member of the Eastman School of Music since her appointment in1976.

Bonita Boyd has premiered numerous works, including Samuel Adler’s Concerto for Flute and Orchestra (1977), Warren Benson’s Five Lyrics of Louis Bogan (1978) and Concertino for Flute, Strings, and Percussion, Sonata for Solo Flute of Miklos Rosza (1983), Eclipse Musings of Augusta Reed Thomas (1998), Eric Sessler’s Hammerhead for Flute and Guitar (2006), the first performance at the National Flute Association Convention of Melinda Wagner’s Pulitzer Award-winning Flute Concerto (2010), and has made the premiere recordings of many others, including Roberto Sierra’s Concierto Caribe (1996), Liptak Songs of Persephone (2010), and Maslanka’s Duo for Flute and Piano (1997).  Her recording, Flute Music of Les Six, was honored by Stereo Review in its Record of the Year Awards, and her Paganini Caprices CD was on the final ballot for a Grammy nomination.  Recent releases include the premiere recording of Bernstein’s Halil (chamber version), and a new CD, Quicksilver, with renowned guitarist Nicholas Goluses and guest artist, Metropolitan opera star, Katherine Lewek.

Bonita has made radio recordings with the Bavarian Rundfunk, Oslo, West Berlin, Hamburg, Amsterdam, Hague, Brussels, Australian Broadcasting, and Canadian Broadcasting networks.  Among her television specials have been two PBS Television Specials as soloist, Tokyo recital debut televised on Japanese Cable Television, Santa Domingo Symphony soloist debut on Latin American National Television, and a solo debut with the Polish Radio Orchestra on live Polish National Television.

Ms. Boyd has recently been named a Lifetime Achievement Award winner by the National Flute Association, joining the ranks of such legendary flutists as James Galway and Julius Baker.

Bonita has been awarded the Eisenhart Award for Excellence in Teaching by the Eastman School of Music, and her students occupy major orchestral and teaching posts throughout the world.  She and her late husband, Christian Soderstrom, a Swedish engineer, have three sons.

Jeffrey Barker

Picture
Jeffrey Barker is Associate Principal Flute of the Seattle Symphony, a position he began in the 2015–2016 season. Previously, he played as Principal Flute of the Boise Philharmonic since 2009. He has also performed with top orchestras around the country and the world, including the Detroit Symphony Orchestra, the Pittsburgh Symphony Orchestra, the Oregon Symphony, and the Singapore Symphony. Born and raised in Seattle, Jeffrey is passionate about using music to connect with his community. He is a recipient of the 2018 Ford Musician Award for Excellence in Community Service for his work with people in Seattle experiencing homelessness through the Seattle Symphony’s Simple Gifts Initiative. Barker received his Bachelor of Music degree from the Eastman School of Music under the instruction of Bonita Boyd, and his Master of Music degree from Carnegie Mellon University, where his teachers were Jeanne Baxtresser and Alberto Almarza.